DADA (GRANDPA) TELLS ME ALL THIS IS FABRICATED TO EXPLAIN NATURAL PHENOMENA BETWEEN MEN AND WOMEN, LIFE AND DEATH, AND NO GOD OR SATAN IS INVOLVED.
Adam, Eve and Lilith, the female serpent, in the garden of Eden, eating
the forbidden fruit.
This statue was created in the 13th Century and is
located at the entrance portal of the Notre Dame cathedral in Paris.
1.
Eve and Women
2. Eve in Genesis 3. Eve's Identity 4. Genesis & Patriarchy 5. Eve and the Serpent 6. Old Testament, Women & Evil 7. Eve & Lilith Genesis 1-3 Serpents Cherubim Bibliography |
John Collier 1887 (The Atkinson Art Gallery, Southport, England)
7. Eve & Lilith
In an effort to explain inconsistencies in the Old Testament, there developed in Jewish literature a complex interpretive system called the midrash which attempts to reconcile biblical contradictions and bring new meaning to the scriptural text.
Employing both a philological method and often an ingenious imagination,
midrashic writings, which reached their height in the 2nd century CE,
influenced later Christian interpretations of the Bible. Inconsistencies
in the story of Genesis, especially the two separate accounts of
creation, received particular attention. Later, beginning in the 13th
century CE, such questions were also taken up in Jewish mystical
literature known as the Kabbalah.
According to midrashic literature, Adam's first wife was not Eve but a
woman named Lilith, who was created in the first Genesis account. Only
when Lilith rebelled and abandoned Adam did God create Eve, in the
second account, as a replacement. In an important 13th century Kabbalah
text, the Sefer ha-Zohar ("The Book of Splendour") written by the Spaniard Moses de Leon (c. 1240-1305), it is explained that:
In the Alpha Betha of Ben Sira (Alphabetum Siracidis, or Sepher Ben Sira),
an anonymous collection of midrashic proverbs probably compiled in the
11th century C.E., it is explained more explicitly that the conflict
arose because Adam, as a way of asserting his authority over Lilith,
insisted that she lie beneath him during sexual intercourse (23 A-B).
Lilith, however, considering herself to be Adam's equal, refused, and
after pronouncing the Ineffable Name (i.e. the magic name of God) flew
off into the air.
Adam, distraught and no doubt also angered by her insolent behaviour,
wanted her back. On Adam's request, God sent three angels, named Senoy,
Sansenoy, and Semangelof, who found her in the Red Sea. Despite the
threat from the three angels that if she didn't return to Adam one
hundred of her sons would die every day, she refused, claiming that she
was created expressly to harm newborn infants. However, she did swear
that she would not harm any infant wearing an amulet with the images
and/or names of the three angels on it.
At this point, the legend of Lilith as the "first Eve" merges with the
earlier legend of Sumero-Babylonian origin, dating from around 3,500
BCE, of Lilith as a winged female demon who kills infants and endangers
women in childbirth. In this role, she was one of several mazakim
or "harmful spirits" known from incantation formulas preserved in
Assyrian, Hebrew, and Canaanite inscriptions intended to protect against
them. As a female demon, she is closely related to Lamashtu whose
evilness included killing children, drinking the blood of men, and
eating their flesh. Lamashtu also caused pregnant women to miscarry,
disturbed sleep and brought nightmares.
In turn, Lamashtu is like another demonized female called Lamia, a
Libyan serpent goddess, whose name is probably a Greek variant of
Lamashtu. Like Lamashtu, Lamia also killed children. In the guise of a
beautiful woman, she also seduced young men. In the Latin Vulgate Bible,
Lamia is given as the translation of the Hebrew Lilith (and in other
translations it is given as "screech owl" and "night monster").
It needs to be remembered that these demonic "women" are essentially
personifications of unseen forces invented to account for otherwise
inexplicable events and phenomena which occur in the real world. Lilith,
Lamashtu, Lamia and other female demons like them are all associated
with the death of children and especially with the death of newborn
infants.
It may be easily imagined that they were held accountable for such
things as Sudden Infant Death Syndrome (SIDS, also called crib death, or
cot death) where an apparently healthy infant dies for no obvious
reason. Cot death occurs almost always during sleep at night and is the
most common cause of death of infants. Its cause still remains unknown.
By inventing evil spirits like Lilith, Lamashtu, and Lamia, parents were
not only able to identify the enemy but also to know what they had to
guard against. Amulets with the names of the three angels were intended
to protect against the power of Lilith.
Lilith also personified licentiousness and lust. In the Christian Middle Ages she, or her female offspring, the lilim,
became identified with succubae (the female counterparts of incubi) who
would copulate with men in their sleep, causing them to have nocturnal
emissions or "wet dreams."
Again, Lilith and her kind serve as a way of accounting for an otherwise
inexplicable phenomenon among men. Today, 85 percent of all men
experience "wet dreams" (the ejaculation of sperm while asleep) at some
time in their lives, mostly during their teens and twenties and as often
as once a month. In the Middle Ages, celibate monks would attempt to
guard against these nocturnal visits by the lilith/succubus by sleeping
with their hands crossed over their genitals and holding a crucifix.
Through the literature of the Kabbalah, Lilith became fixed in Jewish
demonology where her primary role is that of strangler of children and a
seducer of men. The Kabbalah further enhanced her demonic character by
making her the partner of Samael (i.e. Satan) and queen of the realm of
the forces of evil.
In this guise, she appears as the antagonistic negative counterpart of the Shekhinah
("Divine Presence"), the mother of the House of Israel. The Zohar
repeatedly contrasts Lilith the unholy whorish woman with the Shekhinah
as the holy, noble, and capable woman. In much the same way, Eve the
disobedient, lustful sinner is contrasted with the obedient and holy
Virgin Mary in Christian literature.
Through her couplings with the devil (or with Adam, as his succubus*),
Lilith gave birth to one hundred demonic children a day (the one hundred
children threatened with death by the three angels). In this way,
Lilith was held responsible for populating the world with evil. (*a female demon believed to have sexual intercourse with sleeping men.)
If you ask how Lilith herself, the first wife of Adam, became evil, the
answer lies in her insubordination to her husband Adam. It is her
independence from Adam, her position beyond the control of a male, that
makes her "evil."
She is disobedient and like Eve, and indeed all women who are willful,
she is perceived as posing a constant threat to the divinely ordered
state of affairs defined by men.
Lilith is represented as a powerfully sexual woman against whom men and
babies felt they had few defenses and, except for a few amulets, little
protection. Much more so than Eve, Lilith is the personification female
sexuality.
Her legend serves to demonstrate how, when unchecked, female sexuality
is disruptive and destructive. Lilith highlights how women, beginning
with Eve, use their sexuality to seduce men. She provides thereby a
necessary sexual dimension, which is otherwise lacking, to the Genesis
story which, when read in literal terms, portrays Eve not as some wicked
femme fatale but as a naive and largely sexless fool. Only as a Lilith-like character could Eve be seen as a calculating, evil, seductress.
Lilith is referred to only once in the Old Testament. In the Darby
translation of Isaiah 34:14 the original Hebrew word is rendered as
"lilith"; according to Isaiah, when God's vengeance has turned the land
into a wilderness, "there shall the beasts of the desert meet with the
jackals, and the wild goat shall cry to his fellow; the lilith also
shall settle there, and find for herself a place of rest." The same word
is translated elsewhere, however, as "screech owl, "night creatures,"
"night monsters," and "night hag."
Although it has been suggested that the association with night stems
from a similarity between the Sumero-Babylonian demon Lilitu and the
Hebrew word laylah meaning "night," Lilith nonetheless seems to
have been otherwise associated with darkness and night as a time of
fear, vulnerability, and evil.
In her demonized form, Lilith is a frightening and threatening creature.
Much more so than Eve, she personifies the real (sexual) power women
exercise over men.
She represents the deeper, darker fear men have of women and female
sexuality. Inasmuch as female sexuality, as a result of this fear, has
been repressed and subjected to the severest controls in Western
patriarchal society, so too has the figure of Lilith been kept hidden.
However, she lurks as a powerful unidentified presence, an unspoken
name, in the minds of biblical commentators for whom Eve and Lilith
become inextricably intertwined and blended into one person.
Importantly, it is this Eve/Lilith amalgam which is used to identify
women as the true source of evil in the world.
In the Apocryphal Testament of Reuben (one of the Testaments of the
Twelve Patriarchs, ostensibly the twelve sons of Jacob), for example, it
is explained that:
(Testament of Reuben: V, 1-2, 5)
References to Lilith in the Talmud describe her as a night demon with
long hair (B. Erubin 100b) and as having a human likeness but with wings
(B. Nidda 24b). In Rabbi Isaac ben Jacob ha-Kohen's "Treatise on the
Emanations on the Left," written in Spain in the 13th century, she is
described as having the form of a beautiful woman from her head to her
waist, and "burning fire" from her waist down. Elsewhere, Rabbi Isaac
equates her with the primordial serpent Leviathan.
Crudely drawn images of Lilith can be seen on amulets (see Magical or Prophylactic images of Lilith in incantation bowls and on amulets).
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Babylonian terra-cotta relief, c. 2000 BCE (Collection of Colonel James Colville)
A Babylonian terra-cotta relief dated to around 2000 BCE in the
collection of Colonel Norman Corville has been identified as a
representation of Lilith (the identification has been questioned by a
number of scholars). The relief shows a nude woman with wings and a
bird's taloned feet. She wears a hat composed of four pairs of horns and
holds in each upraised hand a combined ring and rod (similar to an
Egyptian shen ring amulet). She stands on two reclining lions and is flanked by owls.
Despite the fact that she is not officially recognized in the Christian
tradition, in the Late Middle Ages she is occasionally identified with
the serpent in Genesis 3
and shown accordingly with a woman's head and torso. For example, the
bare-breasted woman with a snake's lower parts posed seductively in the
branches of the tree between Adam and Eve in the scene of the temptation
carved into the base of the trumeau in the left doorway of the West
façade of the Cathedral of Notre Dame in Paris has been identified as
Lilith.
Adam, Lilith, and Eve relief sculpture, c. 1210 CE Base of trumeau, left portal, West Façade, Notre Dame, Paris
END
An earlier version of this essay appeared originally in
Images of Women in Ancient Art
Copyright © (text only) 2000. Christopher L. C. E. Witcombe. All rights reserved
Christopher L. C. E. Witcombe | Sweet Briar College | ||
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