JEWS
BEHIND US
FEDERAL NAZIS AND FAKE AL-QAEDAS.
BRITISH
INTELLIGENCE BEHIND IRA BOMBINGS AND TERRORISM
Well, most people do not know or remember that it was fully
documented by Alex Jones (infowars.com) that most major Nazi organisations in
the US
are federally founded and controlled as are most extremist organizations.
Nazi demonstrations shouting “Heil Hitler”, Richard Butler
and others, were being funded by a group of Rabbis. The P.O.Box was registered
to a Rabbi. The “American Hitler” was
Jewish.
They (Jews, Intelligence Service, FBI, etc.) were hanging
Black people in effigy and selling “nigger hunting licences”.
One of the high level British Intelligence officers
interviewed by Alex Jones ( a bomb maker) revealed to him that almost all of the
bombings in England and Northern Ireland
in the last 30 years have been carried out by British Intelligence. The IRA, the Irish Republican Army, was
actually run by British Intelligence.
The British Intelligence would blow up a school bus and bomb
a church or shoot some people and say the IRA did it.
Today America,
Britain and their military
allies (including Turkey, Pakistan, Saudia,
Egypt, Jordan, and
other Arab and occupied Muslim countries) and others are targeting Muslims in
exactly the same manner! They just
replace “Heil Hitler” with “Allahu Akbar” shouted at the top of their voices by
their own mercenaries, cut throats, assassins and sodomizers operating under
many guises: “Salafists, Wahabis, Jihadists, Al-Qaeda, Islamists, Radical
Muslims, Muslim Terrorists” and so on!
N.B. “JEWS” are fake Jews and are not Semitic and
they are for the most part Khazari Talmudists as revealed by Arthur Koestler in
his book THE THIRTEENTH TRIBE. For
revealing this truth, Kostler and his wife were both murdered by or on behalf
of the “Jews” (cui bono?) and the Police (controlled by the omnipotent British
Jewish Lobby and Freemasons) passed both murders as suicides!
Adalberto Erazo - Tuesday 12th of November 2013 at 8:22 PM
WHO PAID THE MONGOLS TO SLAUGHTER MUSLIMS?
For anyone who disputes the fact that Jews run Hollywood, this obscure little documentary film is a must-see.
“Hollywoodism: Jews, Movies and the American Dream”
is a mainstream production and therefore contains a number of
exaggerations and falsehoods. It does, however, make one important
concession: namely, that Hollywood — and the industry it spawned — was
“largely the product of six movie studios… run for over 30 years by a
group of Jewish immigrants” with “strikingly similar backgrounds.”
The 1hr/42m film goes on to explain how these studios, under exclusively Jewish ownership, spent the next several decades using their new medium to create an artificial “American Dream.” As the narrator explains in the introduction: “This is the story of the founders of Hollywood; the story of the idea that became their America — and ours.”
Quoting a host of Jewish film experts, “Hollywoodism” answers the contentious question of Jewish influence on the movie industry straight from the horse’s mouth: as Author/Historian Aljean Harmetz states: “I’m not sure that there was an ‘American Dream’ before the Jews came to Hollywood and invented it.”
Based on Neal Gabler’s best-selling book, An Empire of Their Own: How the Jews Invented Hollywood,
the film tells the story of a small group of Jewish immigrants who
transformed the technological novelty of moving pictures into the most
influential art form of the twentieth century.Adolph Zukor, founder of Paramount, Carl Laemmle of Universal; Louis B. Mayer, of MGM; William Fox of 20th Century Fox, and Harry Cohn
of Columbia; were all immigrants (or children of immigrants) who
reinvented themselves as Americans. In the process, they transformed
America.
“Modern America first saw light on a Hollywood screen,” the documentary begins. “It was largely the product of six movie studios, established in the 1920s, and run for over 30 years by a group of Jewish immigrants” with “strikingly similar backgrounds.”
The
moguls — virtually all of them Jewish — included Harry Warner of Warner
Bros., born in Poland; Samuel Goldwyn of MGM, also born in Poland; Carl
Laemmle of Universal Pictures, born in Germany; Louie B. Meyer of MGM,
born in Russia; Adolph Zukor of Paramount Pictures, born in Hungary; and
William Fox of 20th Century Fox, also born in Hungary. Harry Cohn of
Columbia Pictures was born in New York to German-Jewish parents.
Author/Critic Neal Gabler states: “All of these men who founded Hollywood were born within a 500-mile radius of one another — and all of them wound up within 15 miles of one another in Los Angeles.”
The Jazz Singer (1927), starring Al Jolson, epitomizes in cinematic terms the conflict of the Jew in America. The elderly cantor of a synagogue on the Lower East Side of New York City assumes that his only son will follow in his footsteps and retain the orthodox traditions. But the son would prefer to be an entertainer and goes against his father’s wishes. Years pass and Jakie Rabinowitz, the cantor’s son, has become Jack Robin, a nightclub singer. The crisis comes when the elder Rabinowitz cannot sing the “Kol Nidre” on Yom Kippur and the congregation pressures the young jazz singer to fill in for his father. But Jack’s Broadway opening happens to be the same night.
As Gabler describes this situation: “Jack’s quandary is that he can bring Judaism to show business, but he cannot bring show business to Judaism Ö which is to say that Judaism cannot be reinvigorated or revitalized in America or by America. It is alien to it.”
The Jazz Singer has a happy ending. Jack’s producers allow his Broadway premier to be postponed a night so he can sing the “Kol Nidre” in the synagogue. Then, in his show business triumph, the young Jewish entertainer appears in blackface, “one minority disguised within another,” singing “Mammy” to his mother seated in the enthusiastic audience. The son of the immigrant gets the best of two worlds.
The film explains how, in the late 19th century, these men immigrated to the USA from Eastern Europe, where Jewish populations allegedly faced persecution at the hands of the Russian czar. No doubt exaggerating the extent of Jewish suffering, the narrator explains how, “without warning, death could come crashing down on the defenseless schtetls, reminding the Jews that, as a people, they were permanent outsiders — vulnerable and powerless.”
The future founders of Hollywood came to America with little money, “but they brought with them a new vision of America,” the narrator states. “Hollywood was a dream, dreamt by Jews fleeing a nightmare.”
In 1912, after a brief stint in New York (where, according to the film, the movie business was “monopolized” by bad-guy Thomas Edison), this small band of determined Jews set up shop in California, where they met with instant success. By 1920, they had established their own film studios and began producing hundreds of movies every year.
Interestingly, “Hollywoodism” — while stating that the moguls first came to America “with little money and few belongings” — does not explain how these monumental business ventures were initially financed.
[The 800lb. Gorilla poses this thought: perhaps the six studios, all set up simultaneously by Jews of “strikingly similar backgrounds,” were all financed by the same source -- i.e., Rothschild -- from the very beginning. This certainly appears to have been their modus operandi in most other industries, where so-called “competitors” are actually controlled by the same forces from behind the scenes.]
By the 1920s and 1930s, “seventy-five percent of all Americans went to the movies at least once a week,” the film explains, while movie houses had become “temples of the new Hollywood religion — Jewish values made kitsch.”
“Actors became the gods and goddesses of the new American religion. And where there are new gods there must be new idols, so the studio heads began a movie guild with the lofty title of the Academy of Motion Picture Arts and Sciences,” the film explains. “It was Meyer’s brilliant idea to create the Oscars, where the movie moguls could honor themselves by giving each other awards. In this way, they went from being a group of immigrant Jews to award-winning American producers.”
The Jewish moguls, however, did more than just establish a superficial and self-serving Hollywood cult (which has never boasted more devotees than it does today). According to sources quoted in the documentary, they also used their new medium to create an American “mass culture” based on self-gratification and consumerism — that which would later become known as the “American Dream.”
“I’m not sure that there was an ‘American Dream’ before the Jews came to Hollywood and invented it,” Author/Historian Aljean Harmetz states in the film. “What you had…was an idea of freedom, but you didn’t have what we have today, which is a popular culture that creates dreams — a dream factory.”
[For more on the transformation of America into a gratification-based society through the medium of advertising -- also at the hands of a small clique of East European Jews -- see Adam Curtis’ brilliant, four-part BBC documentary, “Century of the Self.”]
Film Critic Gabler states: “They created their own America — an America which is not the real America… But ultimately, this shadow America becomes so popular and so widely disseminated that its images and its values come to devour the real America.”
“The grand irony of all Hollywood is that Americans come to define themselves by the shadow America that was created by Eastern European Jewish immigrants…,” Gabler adds. “One could say that the American Dream was really founded in Eastern Europe.”
“Hollywoodism: Jews, Movies and the American Dream” — Download it HERE
“Hollywoodism: Jews, Movies and the American Dream”
I did myself catch a strain of that engineered flu soon after my very first "flu jab" ever and was investigated for nearly two years at Guy's Hospital with no conclusive result that I ever had anything at all! When I started a honey therapy on my own, I got rid of the symptoms completely - 100%. When I asked why the doctors did not want to diagnose that I indeed had "swine flu", they smiled. All the news about their stock pile of "swine flu" vaccines and their new order of millions of new vaccines as well as their "swine flu" centres they had already set up scaring the public that the next epidemic would kill some 60,000 people and mass graves were contemplated - were benefiting only the pharmaceutical industry who has a monopoly on our medical supplies. All this were clear indications that the government (controlled by the corporations) were again fooling the sheeple who would believe any crap the government and media would throw at them!
Canada and Australia have always been complicit in all the UK-US and Israeli crimes on the planet! A lot is going on in the US military bases in Australia and the UK.
Adalberto Erazo - Tuesday 12th of November 2013 at 8:22 PM
Thank
you for the information Basheer. Sometimes I wonder what role did
Mossad play in Northern Ireland. Whenever people are fighting against an
occupation and false flags are around you know the specter of israHell
is always nearby. Believe me they had to have been there because the
Irish have always been sympathetic to the Palestinian cause and when
someone sympathizes with the Palestinians they always end up becoming
targeted by them.
Another thing that needs to be answered is what role
did israHell play in training the dreaded loyalist paramilitary
forces and the Royal Ulster Constabulary? Of course Alex Jones would
always steer clear from the jewish angle* and would never touch this
taboo topic as he is being funded by the wealthy jewish family known as
the
Bronfmans who made their fortune in bootlegging. The man is also an
anti-Arab/Muslim hater who actually had the nerve to say that "Arabs
control Hollywood". Yeah, the Arabs control Hollywood so much that I
always keep seeing anti-Arab racism (i.e. real anti-Semitism) being
churned out from every freaking movie and tv show that Islamophobia in
America just keeps increasing day by day. Yeah, if the the Arabs control
Hollywood so much then why is it that we keep seeing war after war that
is destroying the Islamic World? Can you answer that Mr. Alex "I am I
Zionist" Jones? Islamophobia and false flags go hand in hand and it's
jewish controlled Hollywood which is one of the primary vectors that
promotes War on Islam in which the dumbed down American eats this
bullshit like it was the truth. Of course Alex avoids anything leading
to jewish power like it was the
plague*.
Alex
is definitely in bed with israHell alright
..............................................................................................................................................................
his wife.
“Hollywoodism: Jews, Movies and the American Dream”
Alex Jones would always steer clear from the jewish angle*
This has been sadly the case after that video document posted above. I too heard Alex say "HOLLYWOOD IS OWNED BY THE ARABS AND THE ISRAELI FOR SOME REASONS ... BUT MAINLY SAUDI, JORDAN, QATAR, DUBAI..." and that "THE MAJORITY OF THE WORLD STOCK-MARKETS ARE OWNED BY THE ARABS"!
Don't laugh, Alex did say that! But, what he must have surely meant was JEWISH ARABS! Ha!
https://www.youtube.com/watch?v=dfyMAYc3XtY
Jason Bermas, that nincompoop, is one who can't hear anybody mention the word Jew in a bad light!
Basheer - 12 Nov 2013
WHO PAID THE MONGOLS TO SLAUGHTER MUSLIMS?
MAYER AMSHEL BAUER BERG
AKA ROTHSCHILD
80-92% of modern Jews are KHAZARIS with not a single drop of "Semitic" blood!
Published on 20 Jan 2013
The history of the ancient Khazar
Empire, a major but almost forgotten power in Eastern Europe, which in
A.D. 740 converted to Judaism. Khazaria, a conglomerate of Aryan Turkic
tribes, was finally wiped out by the forces of Genghis Khan, but
evidence indicates that the Khazars themselves migrated to Poland and
formed the cradle of Western (Ashkenazim) Jewry...
The Khazars' sway extended from the Black sea to the Caspian, from the Caucasus to the Volga, and they were instrumental in stopping the Muslim onslaught against Byzantium, the eastern jaw of the gigantic pincer movement that in the West swept across northern Africa and into Spain.
Thereafter the Khazars found themselves in a precarious position between the two major world powers: the Eastern Roman Empire in Byzantium and the triumphant followers of Mohammed.
As Arthur Koestler points out, the Khazars were the Third World of their day, and they chose a surprising method of resisting both the Western pressure to become Christian and the Eastern to adopt Islam. Rejecting both, they converted to Judaism.
Learn more true history here... http://www.conspiracyking.com/1034-TH...
And here... http://www.conspiracyking.com/30-J026...
And here (What IS A Semite?)... http://www.conspiracyking.com/150-Mee...
The Khazars' sway extended from the Black sea to the Caspian, from the Caucasus to the Volga, and they were instrumental in stopping the Muslim onslaught against Byzantium, the eastern jaw of the gigantic pincer movement that in the West swept across northern Africa and into Spain.
Thereafter the Khazars found themselves in a precarious position between the two major world powers: the Eastern Roman Empire in Byzantium and the triumphant followers of Mohammed.
As Arthur Koestler points out, the Khazars were the Third World of their day, and they chose a surprising method of resisting both the Western pressure to become Christian and the Eastern to adopt Islam. Rejecting both, they converted to Judaism.
Learn more true history here... http://www.conspiracyking.com/1034-TH...
And here... http://www.conspiracyking.com/30-J026...
And here (What IS A Semite?)... http://www.conspiracyking.com/150-Mee...
-
Category
Published on 12 Nov 2012http://freemantv.com/ the Freeman Perspective with Gaylon Ross - Best selling author of "The Elite Don't Dare Let Us Tell the People" and owner/operator of Ross International Enterprise, Robert Gaylon Ross Sr. unleases alarming new evidence of the elite's monumental crimes against humanity. He unravels the darkest secrets of the secret societies, documenting the hideous threat posed by Freemasonry and the banking elite. Will there be a financial catastrophe in America? Find out this and more.
Blue Fly Productions
Producer/Host: Freeman-
Category
-
“Hollywoodism: Jews, Movies and the American Dream”
For anyone who disputes the fact that Jews run Hollywood, this obscure little documentary film is a must-see.
“Hollywoodism: Jews, Movies and the American Dream”
is a mainstream production and therefore contains a number of
exaggerations and falsehoods. It does, however, make one important
concession: namely, that Hollywood — and the industry it spawned — was
“largely the product of six movie studios… run for over 30 years by a
group of Jewish immigrants” with “strikingly similar backgrounds.”The 1hr/42m film goes on to explain how these studios, under exclusively Jewish ownership, spent the next several decades using their new medium to create an artificial “American Dream.” As the narrator explains in the introduction: “This is the story of the founders of Hollywood; the story of the idea that became their America — and ours.”
Quoting a host of Jewish film experts, “Hollywoodism” answers the contentious question of Jewish influence on the movie industry straight from the horse’s mouth: as Author/Historian Aljean Harmetz states: “I’m not sure that there was an ‘American Dream’ before the Jews came to Hollywood and invented it.”
Based on Neal Gabler’s best-selling book, An Empire of Their Own: How the Jews Invented Hollywood,
the film tells the story of a small group of Jewish immigrants who
transformed the technological novelty of moving pictures into the most
influential art form of the twentieth century.Adolph Zukor, founder of Paramount, Carl Laemmle of Universal; Louis B. Mayer, of MGM; William Fox of 20th Century Fox, and Harry Cohn
of Columbia; were all immigrants (or children of immigrants) who
reinvented themselves as Americans. In the process, they transformed
America.“Modern America first saw light on a Hollywood screen,” the documentary begins. “It was largely the product of six movie studios, established in the 1920s, and run for over 30 years by a group of Jewish immigrants” with “strikingly similar backgrounds.”
The
moguls — virtually all of them Jewish — included Harry Warner of Warner
Bros., born in Poland; Samuel Goldwyn of MGM, also born in Poland; Carl
Laemmle of Universal Pictures, born in Germany; Louie B. Meyer of MGM,
born in Russia; Adolph Zukor of Paramount Pictures, born in Hungary; and
William Fox of 20th Century Fox, also born in Hungary. Harry Cohn of
Columbia Pictures was born in New York to German-Jewish parents.Author/Critic Neal Gabler states: “All of these men who founded Hollywood were born within a 500-mile radius of one another — and all of them wound up within 15 miles of one another in Los Angeles.”
The Jazz Singer (1927), starring Al Jolson, epitomizes in cinematic terms the conflict of the Jew in America. The elderly cantor of a synagogue on the Lower East Side of New York City assumes that his only son will follow in his footsteps and retain the orthodox traditions. But the son would prefer to be an entertainer and goes against his father’s wishes. Years pass and Jakie Rabinowitz, the cantor’s son, has become Jack Robin, a nightclub singer. The crisis comes when the elder Rabinowitz cannot sing the “Kol Nidre” on Yom Kippur and the congregation pressures the young jazz singer to fill in for his father. But Jack’s Broadway opening happens to be the same night.
As Gabler describes this situation: “Jack’s quandary is that he can bring Judaism to show business, but he cannot bring show business to Judaism Ö which is to say that Judaism cannot be reinvigorated or revitalized in America or by America. It is alien to it.”
The Jazz Singer has a happy ending. Jack’s producers allow his Broadway premier to be postponed a night so he can sing the “Kol Nidre” in the synagogue. Then, in his show business triumph, the young Jewish entertainer appears in blackface, “one minority disguised within another,” singing “Mammy” to his mother seated in the enthusiastic audience. The son of the immigrant gets the best of two worlds.
The film explains how, in the late 19th century, these men immigrated to the USA from Eastern Europe, where Jewish populations allegedly faced persecution at the hands of the Russian czar. No doubt exaggerating the extent of Jewish suffering, the narrator explains how, “without warning, death could come crashing down on the defenseless schtetls, reminding the Jews that, as a people, they were permanent outsiders — vulnerable and powerless.”
The future founders of Hollywood came to America with little money, “but they brought with them a new vision of America,” the narrator states. “Hollywood was a dream, dreamt by Jews fleeing a nightmare.”
In 1912, after a brief stint in New York (where, according to the film, the movie business was “monopolized” by bad-guy Thomas Edison), this small band of determined Jews set up shop in California, where they met with instant success. By 1920, they had established their own film studios and began producing hundreds of movies every year.
Interestingly, “Hollywoodism” — while stating that the moguls first came to America “with little money and few belongings” — does not explain how these monumental business ventures were initially financed.
[The 800lb. Gorilla poses this thought: perhaps the six studios, all set up simultaneously by Jews of “strikingly similar backgrounds,” were all financed by the same source -- i.e., Rothschild -- from the very beginning. This certainly appears to have been their modus operandi in most other industries, where so-called “competitors” are actually controlled by the same forces from behind the scenes.]
By the 1920s and 1930s, “seventy-five percent of all Americans went to the movies at least once a week,” the film explains, while movie houses had become “temples of the new Hollywood religion — Jewish values made kitsch.”
“Actors became the gods and goddesses of the new American religion. And where there are new gods there must be new idols, so the studio heads began a movie guild with the lofty title of the Academy of Motion Picture Arts and Sciences,” the film explains. “It was Meyer’s brilliant idea to create the Oscars, where the movie moguls could honor themselves by giving each other awards. In this way, they went from being a group of immigrant Jews to award-winning American producers.”
The Jewish moguls, however, did more than just establish a superficial and self-serving Hollywood cult (which has never boasted more devotees than it does today). According to sources quoted in the documentary, they also used their new medium to create an American “mass culture” based on self-gratification and consumerism — that which would later become known as the “American Dream.”
“I’m not sure that there was an ‘American Dream’ before the Jews came to Hollywood and invented it,” Author/Historian Aljean Harmetz states in the film. “What you had…was an idea of freedom, but you didn’t have what we have today, which is a popular culture that creates dreams — a dream factory.”
[For more on the transformation of America into a gratification-based society through the medium of advertising -- also at the hands of a small clique of East European Jews -- see Adam Curtis’ brilliant, four-part BBC documentary, “Century of the Self.”]
Film Critic Gabler states: “They created their own America — an America which is not the real America… But ultimately, this shadow America becomes so popular and so widely disseminated that its images and its values come to devour the real America.”
“The grand irony of all Hollywood is that Americans come to define themselves by the shadow America that was created by Eastern European Jewish immigrants…,” Gabler adds. “One could say that the American Dream was really founded in Eastern Europe.”
“Hollywoodism: Jews, Movies and the American Dream” — Download it HERE
“Hollywoodism: Jews, Movies and the American Dream”
THE FLYING PIG!
N.B. When I had photographed suspect chemtrails I immediately (that same evening) posted on the Internet a warning saying that Britain (with US and Israeli complicity) were going to cause another epidemic. When "swine flu" was announced just a few days later, I immediately said it was engineered following a pattern of engineered diseases like AIDS (Fort Dietrich) and others. After I investigated the matter, I found out that all doctors I spoke to were lying about the symptoms. Even the notices I saw posted in Whipp's Cross Hospital were lying about the "disease".
I did myself catch a strain of that engineered flu soon after my very first "flu jab" ever and was investigated for nearly two years at Guy's Hospital with no conclusive result that I ever had anything at all! When I started a honey therapy on my own, I got rid of the symptoms completely - 100%. When I asked why the doctors did not want to diagnose that I indeed had "swine flu", they smiled. All the news about their stock pile of "swine flu" vaccines and their new order of millions of new vaccines as well as their "swine flu" centres they had already set up scaring the public that the next epidemic would kill some 60,000 people and mass graves were contemplated - were benefiting only the pharmaceutical industry who has a monopoly on our medical supplies. All this were clear indications that the government (controlled by the corporations) were again fooling the sheeple who would believe any crap the government and media would throw at them!
Canada and Australia have always been complicit in all the UK-US and Israeli crimes on the planet! A lot is going on in the US military bases in Australia and the UK.
SEE ALSO PR TEXE MARRS
at: http://www.powerofprophecy.com/
DNA
Unearths Stunning Secrets:
Jews Are Khazars!
New DNA Research Confirms: The Jews Are
Not the Seed of AbrahamJews Are Khazars!
• How the Racial Hoax of the Jews Was Finally Exposed
BAFS
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Click to hear this week’s Power of Prophecy program by Texe Marrs FREE:
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Blog Archive
- 2012 (3)
DAVID DUKE FOR FREEDOM AND DIVERSITY
Jewish Supremacists Being Exposed at Every Turn
Amidst all the bad news about the
wild excesses of Jewish Supremacists in Israel and in America, the good
news is that increasing numbers of ordinary people are drawing together
the courage to speak out openly about the power of the Jewish lobby and
its highly damaging effect on world affairs.
The latest such example has come with a
new article written by Professor James A. Russell, an Associate
Professor in the Department of National Security Affairs at the Naval
Postgraduate School in Monterey, CA, where he is teaching courses on
Middle East security affairs, nuclear proliferation, terrorism, and
national security strategy.
Professor Russell’s articles have
appeared in a wide variety of media and scholarly outlets around the
world, and previously held a variety of positions in the Office of the
Assistant Secretary Defense for International Security Affairs, Near
East South Asia, Department of Defense. He is thus very much an
establishment figure—which makes his latest article even more
remarkable.
Writing in the LobeLog,
the US foreign affairs blog of the international news wire service, IPS
News (which is regularly cited in various news outlets including the Economist, the New York Times, the Wall Street Journal, the Washington Post, the London Review of Books, TIME, the Daily Beast, the Atlantic, the American Conservative and the Guardian), Professor Russell has come right out with a frank discussion on the power of the Jewish lobby in determining American policy.
His article, titled “Whose Foreign
Policy?” could not be clearer: “Whether we Americans like it or not,
there is a profound struggle for control over our nation’s foreign
policy in the Middle East. Push has finally come to shove, with the
unseemly sight of Israeli government officials and AIPAC lobbyists
fanning out on Capitol Hill to actively discredit the Obama’s
administration’s attempt to craft a deal with Iran to bring the Islamic
Republic’s nuclear program back under comprehensive international
safeguards.
“After being supported for decades by
tens of billions in American taxpayer dollars, free defense equipment,
and unquestioning and limitless political support on countless
occasions, Israel has shown its gratitude by biting the hand of its
principal benefactor,” Professor Russell continued.
“All Americans both in and out of
government would do well to consider an abiding truth in the standoff
with Iran over its nuclear program: there is no military solution to
this problem. Iran has the money, technical capability, and the
infrastructure to build a nuclear weapon if chooses to do so. Bombing
Iran to destroy a nuclear weapons program that the US intelligence
community states does not exist only ensures that Iran will eventually
build its own bomb. No amount of Israeli or US bombs can alter these
essential realities.
“Israel’s leader Benjamin Netanyahu has
staunchly and successfully opposed all attempts at peaceful
accommodation with Israel’s enemies — aided and abetted by American
money and political support. Netanyahu prefers the politics of
confrontation that suit his interests and those of his political
supporters on the right-wing of Israeli politics. This approach,
however, does not serve American interests.
“There was a day when there was never a
question about whether the United States was capable of going its own
way and pursuing policies that primarily served its own interests.
Today, there is no commonly accepted vision of America’s national
interests as money has poured into our political process, serving the
interests of the rich few — leaving most of the rest of the country
behind.”
This is as far as Professor Russell
dares to go—but everyone knows that the “money [which] has poured into
our political process, serving the interests of the rich few” refers
specifically to the Jewish Supremacists who make up the vast majority of
campaign contributions in American politics.
Nonetheless, it is a welcoming sight to
see increasing numbers of establishment figures finally publicly naming
the Jewish lobby and pointing out that its activities are detrimental to
American interests—and indeed the world’s.
