APOCALYPSE 13
SATANIC JUDEO-MASONIC RAPE OF WESTERN CIVILISATION
Video Source: http://www.godtube.com/watch/?v=WKKZ6LNX
Islamic Eschatological Explanation of Modern Western Civilization By Sheikh Imran Hosein
https://www.youtube.com/watch?v=1NhhlomVUvA&feature=em-subs_digest
CHRISTIAN CHIVALRY WAS ARAB CHIVALRY
Universal Islamic civilisation shone over the world for many centuries, but was soon to be destroyed by a greater force, both Godly and Evil, that brought about the greatest civilisation of modern times, White Christian European Civilisation.
Today, although White Christian European Civilisation is not completely gone, it is being raped day and night for at least the past century by, this time, not Godly and Evil forces, but by exclusively Satanic forces led by Judeo-Masonic armies under the name of Zionist Israel, the greatesr abomination this earth has produced on the dead corpses of Christ and Muhammad or on the corpses of Christianity and agonising Islam.
With the decadence of the Ummah ("Nation") of Muhammad, and that of the Ottomans, thanks mainly to their sectarian divisions and internal weaknesses, European conquests of all Muslim lands and colonialsm, and the Ottoman adoption of usury and heavy borrowing from the Jewish ("Judeo-Christian"!) Bank gangsters who had taken over Christendom, Islam was neutralised for many centuries, and all revival are fought with the systematic extermination of hundreds of millions of Muslims worldwide because they have no adequate armies to defend themselves.
"Ma très chère Frédérique
Je me sens très soulagé de voir que nous sommes toujours amis en dépit de nos différences, et je souhaite que cela dure aussi longtemps que nous le désirons tous les deux. Je disais que vous étiez la corde ombilicale qui me liait encore à ma France, et vous venez de me confirmer que vous êtes aussi une amoureuse de la galanterie et de l’amour courtois.
Je partage beaucoup cet amour et cela fait de nous ce trait d’union si nécessaire (vital) au monde actuel entre l’occident et l’orient. À ce sujet vous devriez absolument lire le livre
« Ici nous sommes à l’époque de la reconquête normande de la Sicile qui était jusqu’alors, et ce depuis plus de deux siècles sous la domination musulmane. Dans ce chapitre, il n’est pas question de conflits, bien au contraire, mais de cohabitation avec la communauté musulmane ; Les musulmans ont gardé des liens avec les représentants d’organisations chrétiennes malgré les hostilités, ils étaient tolérants envers eux même s’ils ne partageaient pas leur croyance. Et on voit même, que contrairement à ce que voudrait l’Histoire, que les vainqueurs chrétiens ont pris pour modèle le mode de vie des musulmans, les vaincus.
Ce chapitre met, par exemple, en valeur l’inventivité artistique des musulmans, ou encore, leurs méthodes d’administration et leur législation qui ont été empruntées par les occidentaux. A travers la reconquête normande, l’auteur nous offre ici un autre regard sur le passé concernant les rapports entre l’Europe occidentale et la civilisation arabo-musulmane ; Qui ne se résume pas, comme on a pu si souvent l’entendre ou apprendre, à une succession de conflits et de guerres. Sigrid Hunke souligne plutôt les influences mutuelles, dans des domaines comme l’art, la littérature, la poésie par exemple. »
Je vous embrasse et vous aime beaucoup.
Très respectueusement
Basheer
"Mon cher Basheer,
Encore un point en commun, l'amour, c'est bien ! Nous pouvons être différents et semblables à la fois, nos pensées peuvent se rejoindre, et je trouve cela formidable.
Vous prêchez une convaincue ; je suis la première à reconnaitre la grandeur de la civilisation arabe : la médecine, l'astronomie, les mathématiques, et tout un tas de choses que j'oublie de citer.
D'ailleurs j'adore regarder les reportages sur le sujet, en France nous avons 2 chaines de TV que je regarde la plupart du temps qui sont France 5 et Arte, chaînes documentaires essentiellement et de nombreux reportages concernent les civilisations, leur grandeur, leur déclin : cela va de l'Orient, la Chine, les Mayas, les Incas (la liste est très longue là aussi).
Je ne sais pas si je pourrai me procurer le livre que vous me citez, 1963 c'est pas très récent, les ouvrages deviennent difficiles à trouver peut-être un ouvrage d'occasion mais là non plus cela n'est pas évident, enfin je chercherai. J'ai bien fini par dénicher "la dernière tentation du Christ" de 1953 non sans mal ! (bien mieux que le film tiré du roman !)"
Frédérique
With the decadence of the Ummah ("Nation") of Muhammad, and that of the Ottomans, thanks mainly to their sectarian divisions and internal weaknesses, European conquests of all Muslim lands and colonialsm, and the Ottoman adoption of usury and heavy borrowing from the Jewish ("Judeo-Christian"!) Bank gangsters who had taken over Christendom, Islam was neutralised for many centuries, and all revival are fought with the systematic extermination of hundreds of millions of Muslims worldwide because they have no adequate armies to defend themselves.
An Electrifying Beethoven's 9th: Sir Georg Solti, Jessye Norman
George Digby
Published on 18 Feb 2014
A live VHS recording of a BBC Prom
concert from the Royal Albert Hall, London.1986. Seen lots of
performances of this mighty work since then, but none of them equal, or
surpass this one.
I do not own the copyright for this material.
After I emancipated from the public school indoctrination sewage (system), I always viewed the Royal Courts of Europe as the head quarters of Satan himself. My introduction to classical music (piano) was short lived because our music teacher, one Mrs Brooks, was not a woman, but a kind of freak with little or no humanity in her. It was the times of British imperial colonialism set out to destroy all other civilisations equal or superior to the western one, namely Islamic civilisation.
Although during the Classical Period “music of great elegance, refinement, and beauty was being created by resident composers in the courts of European noblemen”, I cannot help to see the underlying racism that gives all credit to “Classical Greek art” and none at all to Arabs and Muslims, meaning the world or Islamic did not produce any music worthwhile at all for at least 1500 years of its history.
It is undeniable that “Noble patrons were demanding an impersonal, but tuneful and elegant music. Dances such as the minuet and the gavotte were provided in the forms of entertaining serenades and divertimenti.” But, where did Europeans get their “elegant” music and “serenades” that made the homeland of Adolph Hitler, Austria, the musical centre of Europe based in Vienna, its Capital?
“Classicism is based on the artistic principles of the Ancient Greeks and Romans, emphasizing idealizing beauty, clarity, simplicity, and balance. Compositions of the Classical Period contain a very well defined sense of proportion. Perfection in the structure or form of a piece of music was very important to composers of this era, and once the piano had fully replaced the harpsichord as the primary keyboard instrument, an aspect that was essentially characteristic of mature Classical style in all genres was the sudden, dramatic shifting in dynamics throughout a composition which became a hallmark of the music from this era.”
“The Classical Period reached its majestic culmination with the masterful Symphonies, Sonatas, and String Quartets of the three great composers of the Viennese School: Franz Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.”
The study of Classical Arabic (the language of the Holy Qur’ân), and the Arab and Muslim musical record in Baghdad, Andalusia and other Arab and Muslim lands would suggest that the Europeans obtained their love for perfection in all domains from Islamic artistic and musical achievements, including their “growth of the orchestra”. That Europeans “developed the idea of the orchestral symphony” is totally absurd and untrue. (See “Allahs Sonne über dem Abendland” – Allah’s Sun Over the West” page 332, by German author Sigrid Hunke. Islam and Muslims did not only meet with the West, but emancipated and enlightened the West, and shared with each other what they had best despite Church and other racisms.
The idea that Egypt acted only as a mere “warehouse” of Greek knowledge, is ridiculous, and only the fruit of a racist and supremacist imagination. In the same manner, the Europeans claimed that Arabs and Muslims did the same and acted only as a transmitter of Greek knowledge (science). In other words the world inherited everything from the Greeks and nothing from the Egyptians, Persians, Byzance, Arabs and Muslims! European historians also lied when they claimed Africa never produced any civilisation at all. Egypt is Africa! Carthage is Africa!
Racists were of the opinion that music was not universal and that God was a White European racist. But, the truth is otherwise. It would be quite illuminating to compare the music the Classicists created “based primarily on a clear homophonic texture that stressed emotional restraint, perfection of form, and balance of quick-changing dynamics”, with the popularly accepted kind of Western modern musical and artistic creations and expressions sponsored mainly by Judeo-Masonic finances and promoters.
“Classical composers strove to create a balance between emotion and intellect. Baroque music is much more intellectual than emotional and much more complicated than the Classical sound.
Listeners to Classical symphonies, concerti, and string quartets should remember that these works were composed for the purpose of entertainment of royal patrons and their courtiers. Classical composers were musicians who generally got paid for what they did. This was the popular and contemporary music of the time. And like musicians today, composers in past eras often wrote for the markets available, albeit for monarchy, the church, etc. To the ears of an Eighteenth Century listener, this music sounded new and emotionally liberated from the older Baroque style. It had an enlightened expression, clearly a medium for the thoughts of a new era. The piano gradually replaced the older harpsichord as the most widely used and important keyboard instrument of the time, and all noteworthy Classical composers produced Piano Sonatas as a major portion of their creative output along with much other chamber music. The piano’s mechanism, which permitted a flexible dynamic range, had been perfected at the end of the Baroque era. While the organ was still in use, the church became a less powerful entity in the lives of musicians, and the composition of new organ music dropped off considerably.
Opera continued to grow in the Classical Era, remaining a popular form of entertainment. Gluck, Haydn, and Beethoven all composed operas that were highly regarded, but it was primarily Mozart and Rossini who composed the most beloved operas of the time. Both were experts at the form of opera buffa (comic opera) and elevated the status of it from low-class entertainment to a very respected art form. One of Mozart’s last operas, “The Magic Flute” helped to start an important line of German opera, later culminating in the gigantic works of Wagner. Undoubtedly, the most important musical invention of the Classical Era was “Sonata Allegro Form.” It was used as the basis for the Symphony, the Concerto, the String Quartet, and the solo Sonata. In Church Music, the Mass and Oratorio continued to be important forms, but vocal music was slightly secondary to instrumental genres in the productive output of most major composers of this era.”
Would you believe what Europeans write about their supremacy in all forms of arts and philosophy? I wouldn’t! What they themselves described as music to God has today been replaced by music to Satan and they still claim it is one and the same thing! Typical Freudian psychopaths! They were once believers in God; today they are believers in Satan exclusively. It is easy to use their powerful military might to destroy other civilisations and then claim they are the best and only one or the “Chosen Ones”. We see that constantly today in the field of technology, finances, resources, and even armaments. They claim a monopoly on everything and prevent any nation who is not bonded with them by an “eternal contract” (like Israel!) to be free, to manufacture freely, to circulate freely, to exchange freely, to invent, to create, to express themselves freely, to organise their society freely, to freely educate their citizens, to chose a system of governance of their own, a religion and a way of life that, and so on. They claim total supremacy on everything including over the churches, religion and God, and would terrorise the entire world into acceptance of their Satanic UN-NATO hegemony!
I do not own the copyright for this material.
After I emancipated from the public school indoctrination sewage (system), I always viewed the Royal Courts of Europe as the head quarters of Satan himself. My introduction to classical music (piano) was short lived because our music teacher, one Mrs Brooks, was not a woman, but a kind of freak with little or no humanity in her. It was the times of British imperial colonialism set out to destroy all other civilisations equal or superior to the western one, namely Islamic civilisation.
I read a piece on early-music.com © 2014. All Rights Reserved. On Franz Joseph Haydn (1732 – 1809), but I strongly disagree with parts of its introduction, which I wish to rectify in part here. See: http://www.early-music.com/what-is-early-music/franz-joseph-haydn-1732-1809/
Yes, it was at the time when monarchs wielded absolute power that western music reached a peak of creative expression. The Classical Period (1750-1825) ended with the death of the patronage system in which musicians were employees of the powerful noblemen, but, the usurious bankers soon took over western civilisation through repeated bankers’ coups-d’état or so-called revolutions, and made it into the corporate satanic abomination we know of it today. Contrary to what conservative thought claim, Western Democracy brought about the reign of Satan in the open.Although during the Classical Period “music of great elegance, refinement, and beauty was being created by resident composers in the courts of European noblemen”, I cannot help to see the underlying racism that gives all credit to “Classical Greek art” and none at all to Arabs and Muslims, meaning the world or Islamic did not produce any music worthwhile at all for at least 1500 years of its history.
It is undeniable that “Noble patrons were demanding an impersonal, but tuneful and elegant music. Dances such as the minuet and the gavotte were provided in the forms of entertaining serenades and divertimenti.” But, where did Europeans get their “elegant” music and “serenades” that made the homeland of Adolph Hitler, Austria, the musical centre of Europe based in Vienna, its Capital?
“Classicism is based on the artistic principles of the Ancient Greeks and Romans, emphasizing idealizing beauty, clarity, simplicity, and balance. Compositions of the Classical Period contain a very well defined sense of proportion. Perfection in the structure or form of a piece of music was very important to composers of this era, and once the piano had fully replaced the harpsichord as the primary keyboard instrument, an aspect that was essentially characteristic of mature Classical style in all genres was the sudden, dramatic shifting in dynamics throughout a composition which became a hallmark of the music from this era.”
“The Classical Period reached its majestic culmination with the masterful Symphonies, Sonatas, and String Quartets of the three great composers of the Viennese School: Franz Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.”
The study of Classical Arabic (the language of the Holy Qur’ân), and the Arab and Muslim musical record in Baghdad, Andalusia and other Arab and Muslim lands would suggest that the Europeans obtained their love for perfection in all domains from Islamic artistic and musical achievements, including their “growth of the orchestra”. That Europeans “developed the idea of the orchestral symphony” is totally absurd and untrue. (See “Allahs Sonne über dem Abendland” – Allah’s Sun Over the West” page 332, by German author Sigrid Hunke. Islam and Muslims did not only meet with the West, but emancipated and enlightened the West, and shared with each other what they had best despite Church and other racisms.
The idea that Egypt acted only as a mere “warehouse” of Greek knowledge, is ridiculous, and only the fruit of a racist and supremacist imagination. In the same manner, the Europeans claimed that Arabs and Muslims did the same and acted only as a transmitter of Greek knowledge (science). In other words the world inherited everything from the Greeks and nothing from the Egyptians, Persians, Byzance, Arabs and Muslims! European historians also lied when they claimed Africa never produced any civilisation at all. Egypt is Africa! Carthage is Africa!
Racists were of the opinion that music was not universal and that God was a White European racist. But, the truth is otherwise. It would be quite illuminating to compare the music the Classicists created “based primarily on a clear homophonic texture that stressed emotional restraint, perfection of form, and balance of quick-changing dynamics”, with the popularly accepted kind of Western modern musical and artistic creations and expressions sponsored mainly by Judeo-Masonic finances and promoters.
“Classical composers strove to create a balance between emotion and intellect. Baroque music is much more intellectual than emotional and much more complicated than the Classical sound.
Listeners to Classical symphonies, concerti, and string quartets should remember that these works were composed for the purpose of entertainment of royal patrons and their courtiers. Classical composers were musicians who generally got paid for what they did. This was the popular and contemporary music of the time. And like musicians today, composers in past eras often wrote for the markets available, albeit for monarchy, the church, etc. To the ears of an Eighteenth Century listener, this music sounded new and emotionally liberated from the older Baroque style. It had an enlightened expression, clearly a medium for the thoughts of a new era. The piano gradually replaced the older harpsichord as the most widely used and important keyboard instrument of the time, and all noteworthy Classical composers produced Piano Sonatas as a major portion of their creative output along with much other chamber music. The piano’s mechanism, which permitted a flexible dynamic range, had been perfected at the end of the Baroque era. While the organ was still in use, the church became a less powerful entity in the lives of musicians, and the composition of new organ music dropped off considerably.
Opera continued to grow in the Classical Era, remaining a popular form of entertainment. Gluck, Haydn, and Beethoven all composed operas that were highly regarded, but it was primarily Mozart and Rossini who composed the most beloved operas of the time. Both were experts at the form of opera buffa (comic opera) and elevated the status of it from low-class entertainment to a very respected art form. One of Mozart’s last operas, “The Magic Flute” helped to start an important line of German opera, later culminating in the gigantic works of Wagner. Undoubtedly, the most important musical invention of the Classical Era was “Sonata Allegro Form.” It was used as the basis for the Symphony, the Concerto, the String Quartet, and the solo Sonata. In Church Music, the Mass and Oratorio continued to be important forms, but vocal music was slightly secondary to instrumental genres in the productive output of most major composers of this era.”
Would you believe what Europeans write about their supremacy in all forms of arts and philosophy? I wouldn’t! What they themselves described as music to God has today been replaced by music to Satan and they still claim it is one and the same thing! Typical Freudian psychopaths! They were once believers in God; today they are believers in Satan exclusively. It is easy to use their powerful military might to destroy other civilisations and then claim they are the best and only one or the “Chosen Ones”. We see that constantly today in the field of technology, finances, resources, and even armaments. They claim a monopoly on everything and prevent any nation who is not bonded with them by an “eternal contract” (like Israel!) to be free, to manufacture freely, to circulate freely, to exchange freely, to invent, to create, to express themselves freely, to organise their society freely, to freely educate their citizens, to chose a system of governance of their own, a religion and a way of life that, and so on. They claim total supremacy on everything including over the churches, religion and God, and would terrorise the entire world into acceptance of their Satanic UN-NATO hegemony!
BAFS
Thursday 11 September 2014
"Ma très chère Frédérique
Je me sens très soulagé de voir que nous sommes toujours amis en dépit de nos différences, et je souhaite que cela dure aussi longtemps que nous le désirons tous les deux. Je disais que vous étiez la corde ombilicale qui me liait encore à ma France, et vous venez de me confirmer que vous êtes aussi une amoureuse de la galanterie et de l’amour courtois.
Je partage beaucoup cet amour et cela fait de nous ce trait d’union si nécessaire (vital) au monde actuel entre l’occident et l’orient. À ce sujet vous devriez absolument lire le livre
« Le soleil d’Allah brille sur l’occident » de Sigrid Hunke chez Albin Michel 1963
Ce livre vous prouvera que suite à la reconquête de la
Sicile de la gouvernance musulmane, il y avait sur place entre Chrétiens normands
(vainqueurs) et Musulmans (vaincus) un système de
cohabitation harmonieuse et pacifique et une osmose de civilisations nettement
supérieure
au système
scélérat et
monstrueux de la laïcité franc-maçonne et socialo-communiste qui n’a
pour but que d’asservir, dominer, opprimer et provoquer un clash ‘des
civilisations’.
Mais, le fait demeure que les occidentaux apprirent la
galanterie et la chevalerie (et tant d’autres choses) des Arabes et des
Musulmans. D’où vient la
coutume des soupirants d’offrir des bouquets de fleurs à leurs
bien-aimées
ou celle de chanter des sérénades à sa dulcinée ?
Comparez les valeurs chevaleresques telles le courage, la
loyauté,
l'honneur, la largesse (générosité), et la notion d'amour courtois
des occidentaux héritées grâce à leur contact
avec les Arabes et Musulmans de l’époque avec la sauvagerie occidentale du monde
moderne ?
Jean de Sismondi, De la littérature du midi de l'Europe, 1813
L'époque de la naissance de la chevalerie est celle précisément où la morale des Arabes était arrivée au plus haut terme de délicatesse et de raffinement, où la vertu était l'objet de leur enthousiasme, et où la pureté du langage et des pensées chez leurs écrivains, fait honte à la corruption des nôtres. Enfin de tous les peuples de l'Europe, les plus chevaleresques sont les Espagnols, et ce sont les seuls qui aient été immédiatement à l'école des Arabes. [...] la chevalerie est une invention arabe.- De la littérature du midi de l'Europe, Jean de Sismondi, éd. Treuttel et Würtz, 1813, p. 267-269
Eugène Rosseeuw Saint-Hilaire, L'Espagne romaine et l'Espagne arabe, 1838
Oui, c'est aux Arabes, par l'Espagne et par les croisades, que nous devons cette civilisation dont nous sommes si fiers ; notre chevalerie nous vient des Arabes.- « L'Espagne romaine et l'Espagne arabe (Discours prononcé à l'ouverture du cours d'histoire ancienne, Faculté des Lettres de Paris.) » (1838), dans Revue de Paris, Eugène Rosseeuw Saint-Hilaire, éd. Bureau de la Revue de Paris, 1838, t. 52, p. 231
« Ici nous sommes à l’époque de la reconquête normande de la Sicile qui était jusqu’alors, et ce depuis plus de deux siècles sous la domination musulmane. Dans ce chapitre, il n’est pas question de conflits, bien au contraire, mais de cohabitation avec la communauté musulmane ; Les musulmans ont gardé des liens avec les représentants d’organisations chrétiennes malgré les hostilités, ils étaient tolérants envers eux même s’ils ne partageaient pas leur croyance. Et on voit même, que contrairement à ce que voudrait l’Histoire, que les vainqueurs chrétiens ont pris pour modèle le mode de vie des musulmans, les vaincus.
Ce chapitre met, par exemple, en valeur l’inventivité artistique des musulmans, ou encore, leurs méthodes d’administration et leur législation qui ont été empruntées par les occidentaux. A travers la reconquête normande, l’auteur nous offre ici un autre regard sur le passé concernant les rapports entre l’Europe occidentale et la civilisation arabo-musulmane ; Qui ne se résume pas, comme on a pu si souvent l’entendre ou apprendre, à une succession de conflits et de guerres. Sigrid Hunke souligne plutôt les influences mutuelles, dans des domaines comme l’art, la littérature, la poésie par exemple. »
Je vous embrasse et vous aime beaucoup.
Très respectueusement
Basheer
Maria Callas - Habanera - Carmen - Bizet - french subtitles
Sent: Wednesday, 31 July 2013, 12:43
Subject: j'enrichis mes connaissances à votre contact
Subject: j'enrichis mes connaissances à votre contact
Encore un point en commun, l'amour, c'est bien ! Nous pouvons être différents et semblables à la fois, nos pensées peuvent se rejoindre, et je trouve cela formidable.
Vous prêchez une convaincue ; je suis la première à reconnaitre la grandeur de la civilisation arabe : la médecine, l'astronomie, les mathématiques, et tout un tas de choses que j'oublie de citer.
D'ailleurs j'adore regarder les reportages sur le sujet, en France nous avons 2 chaines de TV que je regarde la plupart du temps qui sont France 5 et Arte, chaînes documentaires essentiellement et de nombreux reportages concernent les civilisations, leur grandeur, leur déclin : cela va de l'Orient, la Chine, les Mayas, les Incas (la liste est très longue là aussi).
Je ne sais pas si je pourrai me procurer le livre que vous me citez, 1963 c'est pas très récent, les ouvrages deviennent difficiles à trouver peut-être un ouvrage d'occasion mais là non plus cela n'est pas évident, enfin je chercherai. J'ai bien fini par dénicher "la dernière tentation du Christ" de 1953 non sans mal ! (bien mieux que le film tiré du roman !)"
Frédérique
Arabesques
andalouses “Le soleil d’Allah brille sur
l’Occident” pages 382-383 – Sigrid Hunke
"Et voici la teneur du dernier poème qu'un Arabe d'Andalousie ait osé composer;
ce poème tomba entre les mains des autorités en même temps que la lettre destinée à appeler à l'aide les frères d'Afrique du Nord :
Je me dois de crier à l'univers comment
Notre célèbre Andalousie
Sous le joug d'infidèles, pêcheurs et mécréants
Est odieusement asservie.
Nous vivons comme autant d'agneaux épouvantés
Cernés par la horde des loups
Qui veulent notre mort et nous criblent de coups
Sans cesse avec férocité.
Ils veulent par violence obtenir que nos frères
Se soumettent à leur loi,
Que devant leurs idoles, à genoux, nos prières
Nous convertissent à leur foi.
Nous vivons dans la peur qui torture notre âme
Et les tourments perpétuels.
Pour nous faire adorer leurs images infâmes
Leurs clochers lancent leurs appels.
Ils veulent notre mort, et chaque espion nous guette
Comme guetterait un vautour.
Emploie pour louer Dieu la langue du Prophète :
Tu disparaîtras sans retour.
Pour traquer tout suspect, ils emploient tant de sbires
Que fût-il à cent lieues un beau jour il est pris !
Dans un cachot sinistre on le jette, ô martyre !
Où sans cesse on lui crie :"Réflechis, réfléchis!"
Ce mot vrille encor le tympan du malheureux
Etendu sur le sol, des larmes plein les yeux.
Dans son cachot obscur gisant jour après jour,
Son infinie patience est bien son seul recours.
Il lui paraît qu'un gouffre hideux va l'engloutir
Quelque océan sans fin qu'il ne saurait franchir.
Voici qu'on le traîne à la chambre de torture,
Lié au chevalet, le supplicié endure
Le broiement affreux de ses os.
Les chrétiens méprisants se rassemblent bientôt
Place Attaoubin où ils ont dressés très haut
Le plus effroyable échafaud.
Nommant ce jour celui du jugement dernier,
De jaune ils vêtent ceux qu'ils n'ont pas condamnés.
Précédés de statues, les autres prisonniers
Vers le feu du bûcher en troupeau sont menés,
Ce bûcher où les guette une mort effroyable.
Dans un cercle enflammé le danger nous enserre,
Il n'est pas de tourment, hélas ! sur cette terre,
Qui jour et nuit ne nous accable !
Par la furie de l'autodafé et par des bannissements massifs, on dépeupla rapidement le pays le plus prospère du continent; en peu de temps il redevint un désert. La victoire sur le monde arabe était consommée."
https://www.youtube.com/watch?v=3xwL9EDYrvY
Published on 11 Jun 2012 (Youtube)
Documentary produced by Halaqah media
Billed as the Muslim view on the war on terror, it covers a variety of topics:
* The reasons behind the Gulf war/Saddam
* History of the freemasons/were originally Christian heretics after the capture of Jerusalem/Al Aqsa
* How they came to control England/France and then the US
* The Dajjal * their involvement in the entertainments industry
* How they plan to assume control using ID cards
* Their link with the Rothschilds
* Only hope against them is Islam
* The atrocities they have already committed using the UN
* The AIDS virus.
Freemasonry is a fraternal organisation that arose from obscure origins (theorised to be anywhere from the time of the building of King Solomon's Temple to the mid-1600s).
Freemasonry now exists in various forms all over the world, with a membership estimated at around 5 million, with around 480,000 in England, Scotland and Ireland alone, and over 2,000,000 in the United States. The various forms all share moral and metaphysical ideals, which include, in most cases, a constitutional declaration of belief in a Supreme Being.
The fraternity is administratively organised into Grand Lodges (or sometimes Orients), each of which governs its own jurisdiction, which consists of subordinate (or constituent) Lodges. Grand Lodges recognise each other through a process of landmarks and regularity. There are also appendant bodies, which are organisations related to the main branch of Freemasonry, but with their own independent administration.
Freemasonry uses the metaphors of operative stonemasons' tools and implements, against the allegorical backdrop of the building of King Solomon's Temple, to convey what has been described by both Masons and critics as "a system of morality veiled in allegory and illustrated by symbols."
LE SATANISME
Alain Soral, Dr Salim Laïbi, etc.
https://www.youtube.com/watch?v=ZS2bsz5A0NA
WHITE 85 YEAR OLD BRITISH PROSTITUTE!
Britain's most elderly escort, 85, says she will not give up world's oldest profession - despite health problems and being disowned by her family (including former X Factor star Katie Wassiel)
- Sheila Vogel-Coupe first revealed her secret during granddaughter Katie Waissel's time on 2010's X Factor
- The great-gran vows to keep going despite recent operations
- Love of sex is what motivates her to continue her career
Most great-grandmothers, having
undergone surgery involving 33 cm of intestine being removed, might take
it easy afterwards, perhaps recovering with a cup of tea in front of
daytime TV. But one 85-year-old is nursing herself back to health in a
rather less traditional way.
As
Britain's reputed oldest 'lady of the night', Sheila Vogel-Coupe,
grandmother of Katie Waissel, who shot to fame in 2010's X-Factor, is
sticking to her sideline of pleasuring male clients.
Although
she's lightened her workload, she's hoping to get to work full time,
and is proud that she's still seeing to clients only 8 weeks after her
surgery. 'I don't think I'll ever stop,' she says.
Sheila, who appears in a new Channel 4
documentary My Granny The Escort, due to air next week, explains her unusual late-life
career choice: 'The most important reason is because I love sex. Even
thinking about it makes me feel better,' she says.
Still working: Katie Waissel's granny, Sheila Vogel, continues to work as an escort despite being 85 years old
'Young men see something about me. It is
a nice feeling. Often men call me up and they say please go on talking
because you're turning me on. I'm very very sexy,' she says.
During her recovery
period Sheila says she's having to turn down a string of men. She shows
the camera one text that reads: 'How's my sexy young woman doing this
week?' then boasts: 'It's from an accountant.'
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The mother of three, grandmother of 3
and great-grandmother of 2, only became a prostitute four years ago, at
the ripe old age of 81. she says she missed having male company since the death of her aeronautical engineer husband in 2004, so turned to selling her body as a solution to loneliness.
Sadly,
if not surprisingly, Sheila's job has created rifts in her
family, so much so that she only remains on speaking terms with one of her
three daughters.
Great-gran escort Sheila flashes a black suspender belt and lacy stocking while relaxing on her armchair
At the time of the
expose, during 2010's X-Factor, it was reported that Katie screamed down
the phone when she found out her grandmother was a £250-an-hour
prostitute.
'You'd think I
had committed a murder,' Sheila says of her family's reaction to the
expose, which she was tricked into by a reporter from newspaper New of
The World, which has since been shut down.
'They couldn't believe it. I said, "What do you think I've done?" But everyone thinks about things differently I guess.
'They wanted me to promise I would never do it again, but I told them to stuff it,' says Sheila.
Since then only her daughter Josie has forgiven her mother for revealing her shocking secret.
X-Factor's Katie Waissel (left, with Shiela and
right, pictured recently) was distraught at her gran's revelation during
the 2010 series
'It
is difficult,' admits Josie. 'But if I told her not to do it, she'd
still do it -- but she wouldn't tell me. If she goes off to a hotel I
make her ring me first and after -- there are some nutcases around.
'She'll never stop because she wouldn't be happy,' she adds.
At
the time of the expose in 2010 Sheila described Katie's reaction as
'vicious and vile'. 'She screamed and shouted at me, saying "What are
you doing to Mummy, what are you doing to the family?"
'She thinks I heaped shame on them. But I told her, "I'm doing what I enjoy - just leave me to do what I want to do."
'I'm
proud to be a prostitute. I love what I do. I love sex,' she said. She
has even extended an invitation to X Factor supremo Cowell: 'Simon's
welcome any time.'
Sheila,
who goes by the name Grand Dame Cecilia Bird on the website for escort
agency Mature Courtesans, has bedded men as young as 20 and even made
kinky sex tapes, which she proudly plays on the Channel 4 documentary.
Announcement: Sheila Vogel, grandmother of Katie Waissel, said her X-Factor stardom ruined her escort career
'It makes me feel good that at the age I am, I’ve preserved my body
so well and men love it. It's lovely to still be sexy at my age. I mean, look at
this, announces Sheila.
So does she do it for the sexual thrills or the company? 'I think it's both,' Sheila admits.
'It
doesn't begin and end with sex, there's also companionship. I've been
on my own for the last 8 or 9 years and I do get lonely. So I do like
the companionship of a gentleman.'
'I really have no inhibitions,' she adds, and says she doesn't feel guilty about seeing clients who are married.
Great-gran Sheila Vogel-Coupeis 85 years old but has no plans to give up
'Some of my clients have a fetish and want
to call me mummy, auntie or grandma. I think it is a bit weird,' Sheila told The Sun back in 2010.
'It seems to be the 'in' thing. All the younger men want older women and
I'm the oldest one at my agency, possibly the oldest in the country.
'I
asked one, "What do you want with an old lady like me?" He said,
"Because you're experienced, intelligent. Give me some intelligent
conversation."'
At the time, X Factor finalist Katie's
sister Natalie Davis said in a statement: 'We were completely shocked
and devastated to hear the news that my grandmother has been conducting
immoral activities, including prostitution and pornography.
'We, as a family, disassociate ourselves wholly from these activities and from any future stories that arise from them.'
In the aftermath, Sheila admitted to reporters that Katie's mother Diana, her daughter, was furious with her actions.
'Diana called me a f***ing wh*** and her husband called me a wrinkly
saggy old lady.
'The family are very embarrassed about it and Diana is
making a big thing out of it to try to get Katie publicity and sympathy.'
But twice-married Mrs Vogel-Coupe, who has also appeared in a porn film, is defiant.
'I work as a prostitute because I love it,' she declared. 'It gives me great satisfaction and keeps me young.
'I could go on for years yet. Why should I stop?
'I think of myself as a refined lady giving a very special service men are not going to get anywhere else.
'I've had a few celebrity clients but I would never say who they were. They worked in the music industry and TV and things.
'I
like to make men happy and content. I have no inhibitions. I love
people. I'm an outgoing personality who lives in the 21st century.'
My Granny the Escort airs on Channel 4 on Thursday May 29
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